๐ฅ When we film ยท read this first
How to record this (you've got this)
You don't need to be a videographer or memorize anything. Every numbered line is its own short, separate clip โ work down the list and record them one at a time on your phone. Follow the four rules below and you'll nail it. When in doubt, do 2โ3 takes and we'll pick the best.
๐ Audio Most important
- This matters more than how the video looks. Bad audio is the #1 thing that kills a clip โ clear audio is the #1 thing that saves it.
- Record somewhere quiet. No fans, AC, TV, traffic, or wind. Big empty rooms echo โ a normal furnished room sounds better.
- Get the mic close. Best: a cheap clip-on lav mic (~$20) or your wired earbuds with the built-in mic. No mic? Keep the phone about an arm's length away, not across the room.
- Test before you commit. Record 10 seconds, play it back, make sure your voice is crisp โ then record the rest.
๐ฑ Shoot vertical
- Hold the phone upright (portrait), never sideways. If it's filmed horizontal we can't use it for Reels/Stories/TikTok.
- Frame yourself from mid-chest up, eyes in the upper third, a little space above your head.
- Keep it steady. Prop the phone against something or have someone hold it โ no shaky, walking-and-talking handheld.
๐ก Lighting
- Light on your face, not behind you. Face the window or the sun โ never stand with a bright window/sky behind you (that turns you into a shadow).
- Outdoors: open shade or early-morning / late-afternoon light is gold. Avoid harsh midday sun that makes you squint and casts hard shadows.
- Indoors: face a window, add a lamp if it's dim. Even, natural light beats a dark "cinematic" look every time.
๐ฌ Record modular (this is what makes it easy)
- One line = one clip. Don't try to perform the whole ad in a single take. Say one numbered line, stop, record the next. We assemble them afterward.
- Stay consistent the whole session โ same shirt, same spot, same framing โ so any clip snaps together with any other. This is the secret to the 60-ad system.
- Mess up? No problem. Just re-record that one line. Give us 2โ3 takes of each and we'll grab the best one.
- Talk to one person โ imagine a neighbor across the fence, not "a camera." Real and natural beats polished. Pauses are totally fine. Don't read the words, feel them.